{"id":3651,"date":"2015-11-30T09:27:13","date_gmt":"2015-11-30T08:27:13","guid":{"rendered":"http:\/\/jehmlich-orgelbau.test.data-horizon.com\/wordpress\/?post_type=portfolio&p=3651"},"modified":"2021-04-06T12:25:55","modified_gmt":"2021-04-06T10:25:55","slug":"tokyo-st-ignatiuskirche-ad","status":"publish","type":"orgelprojekte","link":"https:\/\/jehmlich-orgelbau.de\/en\/organ-projects\/tokyo-st-ignatiuskirche-ad\/","title":{"rendered":"Tokyo, St. Ignatiuskirche [ad]"},"content":{"rendered":"\t\t
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St. Ignatiuskirche Tokyo, Japan<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\n
Disposition<\/div><\/div><\/div>\n \t\t\t <\/div>\n\t\t\t
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Erbauer:<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tJehmlich Orgelbau Dresden GmbH\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Baujahr:<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t1999 (opus 1130)\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Restaurierung:<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Spieltraktur:<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tmechanisch\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Registertraktur:<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\telektrisch\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ladensystem:<\/b><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tSchleifladen\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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I. HAUPTWERK C \u2013 g3<\/sup><\/h5>
1.<\/td>Bordun<\/td>16\u2032<\/td><\/tr>
2.<\/td>Prinzipal<\/td>8\u2032<\/td><\/tr>
3.<\/td>Rohrfl\u00f6te<\/td>8\u2032<\/td><\/tr>
4.<\/td>Gemshorn<\/td>8\u2032<\/td><\/tr>
5.<\/td>Oktave<\/td>4\u2032<\/td><\/tr>
6.<\/td>Spitzfl\u00f6te<\/td>4\u2032<\/td><\/tr>
7.<\/td>Quinte<\/td>2\u2154\u2032<\/td><\/tr>
8.<\/td>Oktave<\/td>2\u2032<\/td><\/tr>
9.<\/td>Kornett, ab g0<\/sup><\/td>V<\/td><\/tr>
10.<\/td>Mixtur<\/td>IV<\/td><\/tr>
11.<\/td>Zimbel<\/td>III<\/td><\/tr>
12.<\/td>Fagott<\/td>16\u2032<\/td><\/tr>
13.<\/td>Trompete
Tremulant<\/td>		8\u2032<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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II. POSITIV C \u2013 g3<\/sup><\/h5>
14.<\/td>Holzgedackt<\/td>8\u2032<\/td><\/tr>
15.<\/td>Quintadena<\/td>8\u2032<\/td><\/tr>
16.<\/td>Prinzipal<\/td>4\u2032<\/td><\/tr>
17.<\/td>Rohrfl\u00f6te<\/td>4\u2032<\/td><\/tr>
18.<\/td>Quintfl\u00f6te<\/td>2\u2154\u2032<\/td><\/tr>
19.<\/td>Oktave<\/td>2\u2032<\/td><\/tr>
20<\/td>Terz<\/td>1\u2157\u2032<\/td><\/tr>
21.<\/td>Quinte<\/td>1\u2153\u2032<\/td><\/tr>
22.<\/td>Sifflett<\/td>1\u2032<\/td><\/tr>
23.<\/td>Scharf<\/td>III<\/td><\/tr>
24.<\/td>Krummhorn
Tremulant<\/td>		8\u2032<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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III. SCHWELLWERK C \u2013 g3<\/sup><\/h5>
25.<\/td>Quintadena<\/td>16\u2032<\/td><\/tr>
26.<\/td>Fl\u00fbte harmonique<\/td>8\u2032<\/td><\/tr>
27.<\/td>Gambe<\/td>8\u2032<\/td><\/tr>
28.<\/td>Unda maris<\/td>8\u2032<\/td><\/tr>
29.<\/td>Prinzipal<\/td>4\u2032<\/td><\/tr>
30.<\/td>Traversfl\u00f6te<\/td>4\u2032<\/td><\/tr>
31.<\/td>Nasat<\/td>2\u2154\u2032<\/td><\/tr>
32.<\/td>Waldfl\u00f6te<\/td>2\u2032<\/td><\/tr>
33.<\/td>Terz<\/td>1\u2157\u2032<\/td><\/tr>
34.<\/td>Plein jeu<\/td>V<\/td><\/tr>
35.<\/td>Trompette harmonique<\/td>8\u2032<\/td><\/tr>
36.<\/td>Hautbois<\/td>8\u2032<\/td><\/tr>
37.<\/td>Vox humana<\/td>8\u2032<\/td><\/tr>
38.<\/td>Schalmei
Tremulant<\/td>		4\u2032<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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PEDAL C \u2013 f1<\/sup><\/h5>
39.<\/td>Kontrabass<\/td>16\u2032<\/td><\/tr>
40.<\/td>Subbass<\/td>16\u2032<\/td><\/tr>
41.<\/td>Zartpommer<\/td>16\u2032<\/td><\/tr>
42.<\/td>Quinte<\/td>10\u2154\u2032<\/td><\/tr>
43.<\/td>Oktave<\/td>8\u2032<\/td><\/tr>
44.<\/td>Koppelfl\u00f6te<\/td>8\u2032<\/td><\/tr>
45.<\/td>Choralbass<\/td>4\u2032<\/td><\/tr>
46.<\/td>Pedalmixtur<\/td>IV<\/td><\/tr>
47.<\/td>Posaune<\/td>16\u2032<\/td><\/tr>
48.<\/td>Trompete<\/td>8\u2032<\/td><\/tr>
49.<\/td>Clarine<\/td>4\u2032<\/td><\/tr><\/tbody><\/table>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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NEBENREGISTER UND SPIELHILFEN<\/h5>\nKoppeln II\/I, III\/I, III\/II, I\/P, II\/P, III\/P
\n256fache elektronische Setzerkombination
\nCrescendo, Crescendo an Schweller
\nZungen einzeln ab, Zungen ab, Tremulanten-Frequenz einstellbar
\nTremulanten f\u00fcr HW, Positiv, SW
\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\tDisposition herunterladen<\/a>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t<\/div>\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Disposition Erbauer: Baujahr: Restaurierung: Spieltraktur: Registertraktur: Ladensystem: I. HAUPTWERK C \u2013 g3 1. Bordun 16\u2032 2. Prinzipal 8\u2032 3. Rohrfl\u00f6te 8\u2032 4. Gemshorn 8\u2032 5. Oktave 4\u2032 6. Spitzfl\u00f6te 4\u2032 7. Quinte 2\u2154\u2032 8. Oktave 2\u2032 9. Kornett, ab g0 V 10. Mixtur IV 11. Zimbel III 12. Fagott 16\u2032 13. Trompete Tremulant 8\u2032 II. […]<\/p>\n","protected":false},"author":14,"featured_media":5593,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"tags":[728,566,727,729,726,714],"orgelprojekte_category":[551],"class_list":["post-3651","orgelprojekte","type-orgelprojekte","status-publish","format-standard","has-post-thumbnail","hentry","tag-1999-en","tag-3-manuale-en","tag-49-register-en","tag-opus-1130-en","tag-st-ignatiuskirche-en","tag-tokyo-japan-en","orgelprojekte_category-new-built-organ"],"acf":[],"yoast_head":"\nTokyo, St. Ignatiuskirche [ad] | Jehmlich Orgelbau Dresden<\/title>\n<meta name=\"description\" content=\"Wir bauen und restaurieren Orgeln mit Leidenschaft. 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